printing process
Illustrations, Text, and the Child Reader
On 20, Dec 2015 | In Picturebooks | By Chris Vitale
Fang, Zhihui. “Illustrations, Text, and the Child Reader: What are the pictures in Children’s Storybooks for?” Reading Horizons 37.2 (1996): 130-142.
Referrer: Carrie Hintz
Categories: picturebook, visual storytelling, publishing, printing process, history of picturebooks, child readers, picturebook psychology
Annotation:
This article discusses the relationship between the illustration and the reader. The explicit purpose of the paper is to “delineate the main functions of illustrations in relation to the text in picture books and to examine the significance of illustrations to the child reader.” Art argued to work as a tool for storytelling as opposed to a decoration. The work being done includes establishing the setting of the story, definition and development of the characters, as an arm to extend and develop the narrative story, alter and augment the perspective of the reader, add understanding, and reaffirm elements of the narrative. After positing the previous, the author goes into a lightly psychological overview of the effect of illustrations for child readers. Illustrations are concluded to be an essential narrative device for developing readers. The interplay of text and illustration is also concluded to be supplementary for young readers.
Visual Images in Children’s Picture Books.
On 20, Dec 2015 | In Uncategorized | By Chris Vitale
Kiefer, Barbara Z. “Visual Images in Children’s Picture Books.” Shattering the Looking Glass: Challenge, Risk, and Controversy in Children’s Literature. Ed. Susan S. Lehr. Norwood: Christopher-Gordon, 2008. Print.
Referrer: Chris Vitale
Categories: picturebook, visual storytelling, comics, digitization, mass production, printing process, postmodernism, audience
Annotation:
Kiefer begins by working to define children’s picture books as more than a 20th century creation, but rather an integrated aesthetic experience consisting of concepts and images that has been around for much longer. Kiefer assigns art the ability of creating meaning. The gut of Kiefer’s article explores the form and formats of the picture book as it evolved from sequential illustrated picture books, comic strips, graphic novels, to nonsequential fiction and nonfiction in the picture book. All of these formats have widened the audience for the form of the picture book. Technological developments, such as woodblock versus moveable type, computers, laser scanners, and color separation are given their due credit for creating the possibilities of mass-produced picture books. Media developments like black-and-white to full color, computer generated to mixed media, have also had a profound effect on the picture book. Most compelling is Kiefer’s discussion of the effect new topics has had on the form. Kiefer discusses the emergence of dark comedy, complex emotional issues, and postmodern conceptualizations of the form. In this review of visual images in children’s literature, Kiefer does a thorough job of providing work that exemplifies the points she is making.
Schmalz Is as Schmalz Does
On 20, Dec 2015 | In Picturebooks | By Chris Vitale
Bradford, Clare. “Schmalz Is as Schmalz Does: Sentimentality and Picture Books.” Papers: Explorations into Children’s Literature 7.3 (Dec. 1997): 17–32.
Referrer: Carrie Hintz
Categories: picturebook, visual storytelling, publishing, printing process, history of picturebooks, picturebook psychology, picturebook theory, sentimentality, cultural norms
Annotation:
Bradford explores how sentimentality is represented in the illustrations found in children’s picture books. In order to do this work, Bradford reads picture books that deal with trauma and extreme emotions such as sadness and grief. Sentimentality is connected to societal assumptions around gender, emotion, and cultural norms. By close reading illustrations in a range of texts that deal with complex emotions, Bradford endeavors to argue that sentimental picture books rely on the interplay of narrative textual and visual elements to manipulate the reader’s subjective understanding of the text.
Children’s Picturebooks: The Art of Visual Storytelling.
On 20, Dec 2015 | In Picturebooks | By Chris Vitale
Salisbury, Martin, and Morag Styles. Children’s Picturebooks: The Art of Visual Storytelling. Laurence King Publishing, 2012.
Referrer: Chris Vitale
Categories: picturebook, visual storytelling, publishing, printing process, history of picturebooks, picturebook psychology, picturebook themes, picturebook theory
Annotation:
Salisbury and Morag begin by outlining a brief history of the picturebook from early precursors through the birth of the modern picturebook all the way to the twenty-first century. Chapter 4, titled “Word and Image, Word as Image,” explores the relationship between words and images. Other interesting points of inquiry include the relationship of picturebooks to the child, the influence of printing process and the publishing industry, as well as whether certain themes found in picturebooks are suitable for children. This text contributes to a broad overview of picturebooks as a unique form of multimodal literature that has a variety of intricacies and influences.
